Jens ' numerous television appearances include episodes of L. Jens' numerous awards include several L.
Duping people is not evil; duping people to the point that it threatens their well-being may just be; duping them and having them find out definitely is.
His use of it, however, is ironic.
While the Enlightenment thinkers aspired to moderate the passions through correctness and reason, Tartuffe seeks to fulfill his bodily desires by using arguments couched in reason. One of the ironies here is that Tartuffe uses reason not to better himself morally, but to exercise his lust.
This is not the only passion that Tartuffe seems to have in excess: This question should be familiar to us today: Orgon seems to be searching for an order beyond that of his immediate experience.
Unfortunately, he chooses the wrong metaphysical guide. He is at the top of his game in other aspects of his life: What is he lacking? Perhaps, like Tolstoy in his later years, he has the guilt of the rich and doubts that he has lived as a good servant of God. Can you see any support for this in the text?
And why is Orgon the only one in his household fooled by the impostor? Duping people is not evil; duping people to the point that it threatens their well-being may just be. But duping people and getting found out in the end is the height of all evil, even in our culture.
Yes, I know we give it plenty of lip-service, but when it comes down to it, people want to be deceived — I know I do every time I login to do my banking, when I try on a new pair of slacks, or when I write something new.
I think the problem goes even deeper: If we can remain blissfully naive, unaware of alternatives, then we do not need to question our values as being correct or even harmful. If we remain focused — moral, good, upright, etc. As I said above: For, being caught in a lie shakes the foundation of decorum, something which seems much more important than morality itself.
Decorum suggests that one should speak only in certain situations and only about certain topics.
Tartuffe knows the rhetoric of morality, but his intent and actions contradict what he espouses. For example, before Orgon disinherits Damis, Tartuffe confesses to Orgon: Believe his story; the boy deserves your trust.
Why, after all, should you have faith in me? How can you know what I might do, or be? Is it on my good actions that you base Your favor? Do you trust my pious face? If Orgon had listened to Tartuffe here, then he would not have been vulnerable.
At this point, while everyone can see Tartuffe for what he really is, he is not in a position to be a threat, only a nuisance. He keeps up the act, but becomes more bold. The problem arises when Tartuffe actually says what he believes that causes the scandal and discomfort.
Like morality, it must be shared to be sinful. If two consenting adults keep their actions with each other a secret, is there really sin? Tartuffe makes us uneasy because he questions the foundation of morality: It only becomes sinful if someone else is hurt, like a cuckolded husband.
Tartuffe has no remorse or compassion, just desires. His actions, decorous or not, cannot be allowed to operate with impunity.
Tartuffe does seem to be a bit sociopathic. That is, he has no regard for others, only his is own desires. Just this diagnosis makes us feel better by suggesting that Tartuffe is an anomaly, that he is the twisted exception, not the rule.
However, the end of the play suggests that reason and goodness might need help of a higher power in order to combat those who might use the semblance of reason and goodness for their own selfish ends.
Throughout the play, Tartuffe remains a harmless nuisance until he believes that he has the legal upper hand.Salome Jens Salome Jens has appeared in lead roles on Broadway in Far Country, Night Life, The Disenchanted, Patriot For Me, A Lie of the Mind.
Over forty CWR editors and contributors share their favorite reads from the last year. 17th-century French literature was written throughout the Grand Singer of France, spanning the reigns of Henry IV of France, the Regency of Marie de Medici, Louis XIII of France, the Regency of Anne of Austria (and the civil war called the Fronde) and the reign of Louis XIV of timberdesignmag.com literature of this period is often equated with the Classicism of Louis XIV's long reign, during which.
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Moliere’s Tartuffe: Analysis & Human The play “Tartuffe”, by Moliere, is a work that was created to show people a flaw in their human nature. There are two . Index to Primary Authors: Adams, Henry.: The Education of Henry Adams.: Aeschylus.: Agamemnon.: The Libation-Bearers.