In the Bazaars of Hyderabad Introduction….
Although Turkey offers many famous markets known as "bazaars" in English, the Turkish word "pazar" refers to an outdoor market held at regular intervals, not a permanent structure containing shops.
The Arabic term, souk souq or suk is a synonym for bazaar in Arab-speaking countries. Bazaars were typically situated in close proximity to ruling palaces, citadels or mosques, not only because the city afforded traders some protection, but also because palaces and cities generated substantial demand for goods and services.
Along the major trade routes, bazaars were associated with the caravanserai. From around the 10th century, bazaars and market places were gradually integrated within the city limits. The typical bazaar was a covered area where traders could Bazaars of hyderabad essay and sell with some protection from the elements.
The Grand Bazaar in Istanbul is often cited as the world's oldest continuously-operating, purpose-built market; its construction began in The bazaar Bazaars of hyderabad essay Tabriz, for example, stretches along 1. The temporary seasonal markets were held at specific times of the year and became associated with particular types of produce.
Suq Hijr in Bahrain was noted for its dates while Suq 'Adan was known for its spices and perfumes. In spite of the centrality of the Middle East in the history of bazaars, relatively little is known due to the lack of archaeological evidence.
However, documentary sources point to permanent marketplaces in cities from as early as BCE. In the center is a detached building, the upper portion serving as a lodging for slavedealers, and underneath are cells for newly imported slaves.
To this is attached a coffee-house, and near to it a half-ruined mosque. Around the three habitable sides of the court runs an open colonnade, supported by wooden columns, and approached by steps at an angle.
Under the colonnade are platforms, separated from each other by low railings and benches. Upon these, dealers and customers may be seen during business hours smoking and discussing prices.
Behind these platforms are ranges of small chambers, divided into two compartments by a trellice-work. The habitable part is raised about three feet from the ground; the remainder serves as passage and cooking place.
The front portion is generally tenanted by black, and the rear by white slaves. These chambers are exclusively devoted to females. Those to the north and west are destined for second hand negresses or white women — that is, for slaves who have been previously purchased and instructed, and are sent to be resold.
The hovels to the east are reserved for newly imported negresses, or black and white women of low price. The platforms are divided from the chambers by a narrow alley, on the wall side of which are benches, where women are exposed for sale. This alley serves as a passage of communication and walk for the brokers, who sell slaves by auction and on commission.
In this case, the brokers walk around, followed by the slaves, and announce the price offered. Purchasers, seated on the platforms, then examine, question and bid, as suits their fancy, until at length the woman is sold or withdrawn. Lar  In art and literature[ edit ] Further information: Orientalism During the 18th and 19th centuries, Europeans conquered and excavated parts of North Africa and the Levant.
These regions now make up what is called the Middle East, but in the past were known as the Orient. Europeans sharply divided peoples into two broad groups — the European West and the East or Orient; us and the other.
Europeans often saw Orientals as the opposite of Western civilisation; the peoples could be threatening- they were "despotic, static and irrational whereas Europe was viewed as democratic, dynamic and rational. This fascination with the other gave rise to a genre of painting known as Orientalism.
Artists focussed on the exotic beauty of the land — the markets, caravans and snake charmers. Islamic architecture also became favourite subject matter. European society generally frowned on nude painting — but harems, concubines and slave markets, presented as quasi-documentary works, satisfied European desires for pornographic art.
The Oriental female wearing a veil was a particularly tempting subject because she was hidden from view, adding to her mysterious allure. British painter John Frederick Lewis who lived for several years in a traditional mansion in Cairo, painted highly detailed works showing realistic genre scenes of Middle Eastern life.
Edwin Lord Weeks was a notable American example of a 19th-century artist and author in the Orientalism genre. His parents were wealthy tea and spice merchants who were able to fund his travels and interest in painting.
The popularity of this work inspired authors to develop a new genre, the Oriental tale.
Although these works were purportedly non-fiction, they were notoriously unreliable.The poem In the Bazaars of Hyderabad is a brilliant piece of writing by the Indian Woman poet Sarojini Naidu (–). To understand the context for writing this poem, you first need to know that Sarojini Naidu was a major political figure in the Indian freedom movement in the first half of the 20th century.
Download-Theses Mercredi 10 juin Below is an essay on "In the Bazaars of Hyderebad" from Anti Essays, your source for research papers, essays, and term paper examples. Sarojini Naidu, the poet, freedom fighter and a patriot was also known by the sobriquet The Nightingale of India.
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How to be a great essay writer essay body language communication percentage. Bazaars originated in the Middle East, probably in Persia. Pourjafara et al., point to historical records documenting the concept of a bazaar as early as BC. By the 4th century (CE), a network of bazaars had sprung up alongside ancient caravan trade routes.
In The Bazaars of Hyderabad ‘’In The Bazaars of Hyderabad’’, written by Sarojini Naidu is a vibrant, colorful poem describing the various stalls in the bazaars .